Month: February 2005

  •             I’m sure you’ve heard (and groaned at) all the boxing puns about Million Dollar Baby beating The Aviator for Best Picture, so I’ll leave those out. The Best Picture announcement this year seemed anticlimactic as compared to last year’s, but on the whole I would say it was a good ceremony. The entertainment commentators are complaining that it was boring. They say that every year. They like to complain about it, but they never seem to offer suggestions on how to make it “not boring.” I thought Chris Rock was funny, especially in the monologue. I have read two blow-by-blow reports: MSN’s and Yahoo’s. I read them every year even though they almost always insult a moment I liked, a performance I enjoyed, or a win I supported. This year was no exception, but I nonetheless read them because I like to see what made a lasting impression on people. By the way, I won this year’s Oscar Picks. The Academy and I agreed in 7 categories: Actress, Supporting Actor, Supporting Actress, Animated Feature, Documentary Short, Makeup, and Sound Editing. Marisa had 5, which were Animated Feature, Foreign Language Film, Makeup, Original Score, and Sound Editing. Mandy also had 5, with Actor, Supporting Actress, Documentary Short, Sound Mixing, and Original Screenplay.


     


    Here are some of my observations:


     



    • Much talk has been made over the new styles of presenting some awards. I do think it’s kind of unfair because it’s like the Academy’s saying only the “important” people like actors and directors get to take the glamorous walk to the stage (although I do find it reassuring that we editors are actually regarded as “important” people). That said, if they insist on doing it again, I think the “Miss America” style of having the nominees all on stage works okay. The other style (giving the statue to the person at their seat) doesn’t work so well. It’s too demeaning and it reminds me of a townhall meeting or something.

    • One of my pet peeves continues to be the insistence that someone presents an award alongside an animated character. It’s dumb. This year, it was an under-the-weather Pierce Brosnan who got to suffer the indignity.

    • The only other preplanned routing that didn’t work was the one with Adam Sandler with Chris Rock “pretending” to be Catherine Zeta-Jones.

    • I’m not sure why they kept showing the top balcony when it looked like half the seats were empty. There were also a few “caught-in-the-act” shots of stagehands who didn’t get out of the way fast enough (including one handing a microphone to Chris Rock).

    • Not only did Pierce Brosnan have to suffer through the animated character stunt, you could hear him hacking and coughing all through the nominee reading.

    • Tim Robbins has a sense of humor. Sean Penn apparently does not. (Chris Rock made a joke about Tim Robbins boring us to death with politics, and he came out laughing along with it. Chris Rock had made a joke about Jude Law in his monologue and Sean Penn later came out defending him).

    • That tribute to Johnny Carson was nice, but the only other former Oscar host they could get to talk about him was Whoopi Goldberg?

    • One of the blow-by-blows I read make a joke about the Visual Effects Club having a “no girls allowed” sign that went into the “sad but true” category. The same observation was made for the Sound Editing group.

    • As far as fashion goes, I thought Zhang Ziyi, Emmy Rossum, and Halle Berry looked the best, while Kirsten Dunst, Renee Zellweger, and Hilary Swank needed some help. I don’t really have much to say about the men. Most of them looked okay.

    • Why was Usher there?

    • There seemed to be a lot of odd noises coming from offstage. Most of the time they seemed to go unnoticed by whoever was on camera. Jeremy Irons noticed, though. During his intro to presenting the short film award there was a particularly loud bang off camera. He stopped his speech and said dryly, “I hope they missed.”

    • Orlando Bloom got insulted by an Access Hollywood reporter interviewing him and I’m not sure he noticed (“Before you were a big star, you were a serious actor” or something like that).

    • The blow-by-blows were mixed on the Memorial Tribute montage. The Yahoo one said nobody cared. The MSN one said the tears were flowing. Go figure. I cared about it, but it didn’t induce tears.

    • I suppose now is as good a time as any to devote space to discussing what seems to be my favorite of the so-called “tech categories”: Best Original Song. MSN’s blow-by-blow managed to insult every single performer except Counting Crows (which is odd, since you’d think they’d be first in the line of fire). Yahoo’s spent the time either insulting Clay Aiken (who wasn’t even there) or defending him; I can’t tell which. For my part, “Accidentally in Love” was actually the most boring of the five songs. I heard that the guy who originally wrote and sang “Al Otro Lado Del Rio” in the movie wanted to sing it at the Oscars, but Gil Cates decided to go for Antonio Banderas and Santana instead (much to Susannah’s delight). The Beyonce overload wasn’t as bad as I thought it would be, although I think the only song that was necessary for her to sing was “Look To Your Path.” Did anyone else notice she seemed to be wearing about 5 pounds of eyeshadow in every performance? She must also have the fastest wardrobe, hair, and makeup teams in the world. The thing about Beyonce is that I think she is a very good singer and she has a very nice voice, but she doesn’t normally sing in styles that I like. Last night she did. First, I think it was awesome that she stuck to the original French lyrics of “Look To Your Path,” and she sounded very good too. Then there was “Learn to Be Lonely” (which featured Beyonce wearing what had to be the biggest necklace ever). What I don’t get is that the song was introduced by Emmy Rossum, who played Christine in the movie. Why didn’t they just have her sing it? Beyonce’s performance was very good though. I liked the brief cameo from the Phantom (One of the blow-by-blows made a bad joke about the Phantom being played by Rob Lowe). The last performance was “Believe,” which was inexplicably turned into a duet featuring the original singer and Beyonce (IMDB has taken to calling this performance the “dry ice duet”). I’m still not sure why they would do this (other than ratings), but it makes more sense than having the song introduced by P. Diddy. One of the blow-by-blows did point out that having trains as the backpiece just opened the door for more bad puns. Then I found a photo of the performance somewhere and the caption said that it was Beyonce and Santana (that would be incorrect). I did find Chris Rock’s comment after the performance to be funny, though.

     


    Well, I suppose you’re all thoroughly bored so I shall stop now. Perhaps I will have more later, perhaps not.

  • BEST PICTURE


     


    The Nominees Are:



    • The Aviator

    • Finding Neverland

    • Million Dollar Baby

    • Ray

    • Sideways

     


    Erin’s Pick: Finding Neverland


    Marisa’s Pick: Finding Neverland


    Mandy’s Pick: Finding Neverland


     


    The Winner Last Year Was: The Lord of the Rings: The Return of the King


     


    Yes, I know Finding Neverland has no chance at all of winning. However, I haven’t seen any of the other nominees, so I have no basis of comparison. I have seen about the first half hour of The Aviator, and it doesn’t seem too shabby, but I don’t think I’ve seen enough of it to make an accurate assessment (plus, the pirated copy I was watching had a really crappy quality). The only nominee I have no interest at all in seeing is Sideways, so I guess I won’t have a problem with any of the others winning.


     


    Winter Formal was fun last night. I might go into more detail with my post on Oscar post-mortems, which should be up tomorrow or Tuesday unless I get really busy.

  • Once again, I’m running late, and I’m going to the Winter Formal tonight so this is the only time I’ll have to post, so here are two more Oscar picks.


     


    BEST ACTOR


     


    The Nominees Are:



    • Don Cheadle (Hotel Rwanda)

    • Johnny Depp (Finding Neverland)

    • Leonardo DiCaprio (The Aviator)

    • Clint Eastwood (Million Dollar Baby)

    • Jamie Foxx (Ray)

     


    Erin’s Pick: Johnny Depp (Finding Neverland)


    Marisa’s Pick: Johnny Depp (Finding Neverland)


    Mandy’s Pick: Jamie Foxx (Ray)


     


    The Winner Last Year Was: Sean Penn (Mystic River)


     


    It’s ironic that Marisa and I are picking the same person we picked last year. Mandy seems to have this one in the bag, though, because almost every critic in the world is predicting Jamie Foxx.


     


     


     


    BEST DIRECTOR


     


    The Nominees Are:



    • Martin Scorsese (The Aviator)

    • Clint Eastwood (Million Dollar Baby)

    • Taylor Hackford (Ray)

    • Alexander Payne (Sideways)

    • Mike Leigh (Vera Drake)

     


    Erin’s Pick: Martin Scorsese (The Aviator)


    Marisa’s Pick: Alexander Payne (Sideways)


    Mandy’s Pick: Taylor Hackford (Ray)


     


    The Winner Last Year Was: Peter Jackson (The Lord of the Rings: The Return of the King)

  • I got a little backed up, so I have two Oscar picks for you today.


     


    BEST SUPPORTING ACTOR


     


    The Nominees Are:



    • Alan Alda (The Aviator)

    • Thomas Haden Church (Sideways)

    • Jamie Foxx (Collateral)

    • Morgan Freeman (Million Dollar Baby)

    • Clive Owen (Closer)

     


    Erin’s Pick: Morgan Freeman (Million Dollar Baby)


    Marisa’s Pick: Alan Alda (The Aviator)


    Mandy’s Pick: Jamie Foxx (Collateral)


     


    The Winner Last Year Was: Tim Robbins (Mystic River)


     


    I haven’t seen any of these movies yet (though I would like to see The Aviator and Million Dollar Baby before Sunday; however, I don’t think that’ll happen), but I like Morgan Freeman, especially in The Shawshank Redemption (hey, it would be ironic at least, since Tim Robbins won last year). It was pretty obvious to me what Marisa’s choice would be, and I was right (her email with the picks included a winking smiley face next to Alan Alda’s name). Marisa is a huge MASH fan, by the way. Mandy picked Jamie Foxx because she either liked Collateral or she wanted to see it. I can’t remember which.


     


     


    BEST ACTRESS


     


    The Nominees Are:



    • Annette Bening (Being Julia)

    • Catalina Sandino Moreno (Maria Full of Grace)

    • Imelda Staunton (Vera Drake)

    • Hilary Swank (Million Dollar Baby)

    • Kate Winslet (Eternal Sunshine of the Spotless Mind)

     


    Erin’s Pick: Hilary Swank (Million Dollar Baby)


    Marisa’s Pick: Catalina Sandino Moreno (Maria Full of Grace)


    Mandy’s Pick: Kate Winslet (Eternal Sunshine of the Spotless Mind)


     


    The Winner Last Year Was: Charlize Theron (Monster)


     


    Not much to say about this one.

  • BEST SUPPORTING ACTRESS


     


    The Nominees Are:



    • Cate Blanchett (The Aviator)

    • Laura Linney (Kinsey)

    • Virginia Madsen (Sideways)

    • Sophie Okonedo (Hotel Rwanda)

    • Natalie Portman (Closer)

     


    Erin’s Pick: Cate Blanchett (The Aviator)


    Marisa’s Pick: Natalie Portman (Closer)


    Mandy’s Pick: Cate Blanchett (The Aviator)


     


    The Winner Last Year Was: Renee Zellweger (Cold Mountain)


     


    I’ve been told I resemble Cate Blanchett. Unlike last year, this one is more up in the air, as critics seem to be evenly divided between Blanchett, Madsen, and Portman.

  • BEST ANIMATED FEATURE


     


    The Nominees Are:



    • The Incredibles
    • Shark Tale
    • Shrek 2

     


    Erin’s Pick: The Incredibles


    Marisa’s Pick: The Incredibles


    Mandy’s Pick: Shrek 2


     


    The Winner Last Year Was: Finding Nemo


     


    This one is pretty self-explanatory. By the way, I forgot to mention yesterday that one of the nominees for Best Adapted Screenplay (The Motorcycle Diaries, to be exact) is written by a Denison alum.

  • BEST ADAPTED SCREENPLAY


     


    The Nominees Are:



    • Before Sunset

    • Finding Neverland

    • Million Dollar Baby

    • The Motorcycle Diaries

    • Sideways

     


    Erin’s Pick: Finding Neverland


    Marisa’s Pick: Finding Neverland


    Mandy’s Pick: Finding Neverland


     


    The Winner Last Year Was: The Lord of the Rings: The Return of the King


     

  • BEST ORIGINAL SCREENPLAY


     


    The Nominees Are:



    • The Aviator
    • Eternal Sunshine of the Spotless Mind
    • Hotel Rwanda
    • The Incredibles
    • Vera Drake

     


    Erin’s Pick: The Incredibles


    Marisa’s Pick: The Incredibles


    Mandy’s Pick: Eternal Sunshine of the Spotless Mind


     


    The Winner Last Year Was: Lost In Translation


     


    I’m a bit late on this one, so I’ll have another one for you later “today.”


     


    Also, I found this on wildcane's site, who got it from someone else:


     


    She vanished inside to announce them.
    The Great Hunt by Robert Jordan


     


    You do the same...


    1. Grab the nearest book.
    2. Open the book to page 123.
    3. Find the fifth sentence.
    4. Post the text of the sentence in your journal along with these instructions.
    5. Don't search around and look for the "coolest" book you can find. Do what's actually next to you.


    Here's mine:


     


    "I assumed it was the same knife." --from Sunshine, by Robin McKinley

  • BEST ART DIRECTION


     


    The Nominees Are:



    • The Aviator
    • Finding Neverland
    • Lemony Snicket’s A Series of Unfortunate Events
    • The Phantom of the Opera
    • A Very Long Engagement

     


    Erin’s Pick: The Phantom of the Opera


    Marisa’s Pick: A Very Long Engagement


    Mandy’s Pick: Lemony Snicket’s A Series of Unfortunate Events


     


    The Winner Last Year Was: The Lord of the Rings: The Return of the King


     


    Once again, I am attempting to give Phantom any credit it can get (since the critics decided that they could “objectively” rip this film to shreds and mention that they didn’t like the stage version to begin with all in the same sentence). Once again, I still want to see Marisa’s pick, and Mandy wants to see Lemony Snicket, so I guess it all works out.


     


     


    I haven't done any bad webcaps in a while, so I think I'll do some now. These are similar to PC Magazine's Backspace section, and I've circled (or boxed in)the error in most of them, but other than that they are unaltered. Keep in mind that some of them are rather old (some are probably over a year old), and a lot of them are from Yahoo, but I think they are funny nonetheless. Enjoy!


     



     


    Well, I knew they were talking about it a while back, but I wasn't aware it actually happened (NOTE: Letterman is on CBS, not ABC).


     


     


     


     


     



     


    I would hope so, otherwise it would be a dismal failure of a flea market...


     



     


     


     


     


     



     


    This is probably the most bizarre subject heading of all the spam I've ever gotten.


     


     


     


     


     


     



     


    Because my school is just that good at keeping records...


     

  • CINEMA 328’S MOVIE OF THE WEEK


     



     


    Outside Providence


    1999


    Dir. Michael Corrente


    Stars Shawn Hatosy, Amy Smart, Alec Baldwin


     


                Outside Providence is set in the mid-1970s. In it, stoner teenager Tim “Dildo” Dunphy (Hatosy) has one too many run-ins with the law after he crashes into a parked police car while getting high. His very working-class father (Baldwin) sends him to prep school as a last resort. There he meets Jane (Smart), an ambitious an intelligent young woman, and suddenly his life has meaning.


                This movie was written by the Farrelly brothers, who also wrote There’s Something About Mary. This movie is kind of a weird combination of elements of Dead Poet’s Society, The Sopranos (a little bit), and Harold and Kumar Go to Whitecastle (Yes, I have seen that movie and it’s actually not that bad). I normally don’t like Farrelly brothers movies, but I enjoyed this one. However, I think it's kind of weird that on the poster everyone (particularly Amy Smart) is wearing 90s clothes when the movie takes place in the 70s...


     


    MPAA Rating: R


    Oscar Fare: None


    My Rating: 3.5